David Noonan transforms black and white or sepia found imagery into striking collages and large-scale silk-screened tableaux on linen or films. He collects photographs, archival documents and magazines and books relating to utopian collectives in the 1960s and 70s, theatre and dance performances, or art education, and layers selected images with others of plants, animals and buildings. Histories fuse. Any sense of time and place is blurred or displaced. The multiple appropriations blend realism, mystery and myth. The fabrics he uses as the ground for the silk-screens are rough in texture and often patched or folded. Many contain printed patterns that are inspired by Japanese textiles. Noonan also produces panelled, figurative sculptures in which cut out silhouettes of performers act out grand gestures. A carved wooden owl is a recurring motif.
David Noonan (b. 1969, Ballarat, Australia) lives and works in London. Recent solo exhibitions include the Contemporary Art Museum, St. Louis, Missouri, USA (2011), the Australian Centre for Contemporary Art, Melbourne (2009), the Chisenhale Gallery, London (2008) and the Palais de Tokyo, Paris (2007). In 2009, his work was included in the group show Altermodern, as part of the Tate Triennial, Tate Britain, London (2009). JRP/Ringier published two publications, a monograph (2012) and Scenes, an artist book in 2009.
8 April—9 July 2017
Lewis Glucksman Gallery, University College, Cork, Ireland
2 June—1 October 2017
National Gallery of Victoria, Melbourne, Australia