German-born Esther Kläs has developed a distinctive visual language that harks back to the great sculptural traditions of the twentieth century – including post-war abstraction and minimalism – while simultaneously challenging contemporary sculptural norms. Using malleable materials that can be worked by hand – cement, clay, plaster, Styrofoam and resin – Kläs is a process-based sculptor who maintains an intimate physical relationship with her work. Interested in the dynamics of group sculptures, Kläs often creates human-scale ensembles that seem governed by their own internal and external logic. Her practice frequently addresses stasis and movement, with her sculptures eliciting specific gestures and motions from viewers. Differing relations of scale, asymmetry, and the contrast between light and dark colours, also play a central role in her work.
Esther Kläs (b. 1981, Mainz, Germany) lives and works in New York. Recent exhibitions include Our Reality (more), SpazioA, Pistoia, Italy (2016); Our Reality, Fondazione Brodbeck, Catania, Italy; Whatness, Kunsthalle Bielefeld, Germany (2015); Girare Con Te, Marino Marini Museum, Florence; Italy (2014), Esther Kläs: Better Energy, MoMA PS1, NY (2012).