Louise Bourgeois in Inhabiting the shadows

This project comprises two exhibitions – one solo and one group show – that use the idea of the shadow as a conceptual tool to explore identity, memory and violence. At first glance, the use of black and white might appear a simplistic choice or even a rhetorical device within the curatorial narrative. Yet this decision arises from a deep impulse where memory twists and resists being pigeonholed as the perfect metaphor for black-and-white imaginaries.