Now representing Richard Aldrich
Xavier Hufkens is honoured to announce the representation of American artist Richard Aldrich
Xavier Hufkens is honoured to announce representation of American artist Richard Aldrich. Known for a practice that approaches painting as an open, iterative field, Aldrich develops works in which gesture, revision, and material presence remain in active dialogue. His works foreground process and perception, inviting a sustained and attentive engagement with how images take shape over time.
The gallery will present Aldrich’s work at Art Basel in June 2026, followed by his first solo exhibition with the gallery in Brussels in Spring 2027. The artist is also represented by Gladstone Gallery, Misako & Rosen, and Modern Art.
Xavier Hufkens: “Richard Aldrich’s work occupies a particularly open and inquisitive space within painting — one that embraces hesitation, revision, and the poetics of the fragment. We are very pleased to welcome him to the gallery, and look forward to engaging with a practice that continues to challenge and expand the language of painting.”
In Richard Aldrich’s paintings, meaning is not delivered; it gradually takes shape. Attentive to how images are made and encountered, his approach carries an intimacy that resists spectacle. A gestural flourish might sit beside a rudimentary figure, or a patch of colour might feel both incidental and entirely necessary. References to abstraction, figuration, and art history at large surface and dissolve without hierarchy, shifting and receding as they appear. These juxtapositions remain open-ended, inviting a mode of looking that is patient and willing to entertain uncertainty.
This sense of openness is not only pictorial, but structural. Aldrich treats painting as a space of ongoing negotiation, where decisions are revised, interrupted, or left unresolved. His canvases rarely settle into a single intention; passages are reworked, layered, or undone, often within the same surface. At times, he cuts into the canvas, exposing what lies beneath and folding process back into the image itself. What emerges is less a fixed composition than a record of decisions, giving the work a soft elasticity, as if it could continue beyond its edges. Rather than seeking closure, the paintings unfold slowly and reward sustained attention. They are not meant to be decoded, but to be spent time with — shifting the focus away from what a painting presents toward how it comes into being, and how we come to recognise it.
Richard Aldrich (b. 1975, Hampton, VA, USA) lives and works in New York, NY. His work has been the subject of solo exhibitions at Fondazione Giuliani, Rome (2022); Museum Dhondt-Dhaenens, Deurle (2016); San Francisco Museum of Modern Art (2011); and the Contemporary Art Museum St. Louis (2011). He has participated in recent group exhibitions at the Museum of Contemporary Art Busan (2022); the National Museum of Art, Osaka (2019); Aïshti Foundation, Beirut (2018); and the Wexner Center for the Arts, Columbus (2018). Aldrich’s works are held in collections including MoMA, New York; the Smithsonian American Art Museum, Washington, D.C.; San Francisco Museum of Modern Art; the Dallas Museum of Art; the ICA Miami; the Whitworth Art Gallery, University of Manchester; the Whitney Museum of American Art, New York; and the National Museum of Art, Osaka, Japan.